DRUPAD DANCE ACADEMY

Ashish Pillai as a Bharathanatyam, Kathak, Mohiniattam dancer established Drupad Dance Troupe in november 2007at Indore.Drupad Dance Academy,is an initiative to bring about a cultural movement,in the heartland of India, Madhya Pradesh in the year 2008.


Dear FRIENDS,

Drupad Promotions
 is gearing up for Essence Dance Festival II 
Venue Mt.Carmel High School, Indore 
Date: 28 the April

What's in store for this year!!!

  • Upcoming artists from outside INDORE
  • Inter school Group dance competition
  • Performance by students of Mt Carmel School.

For details : 

  • ASHISH PILLAI      9907613798  aashishpillai@gmail.com
  • ROLI SAXENA        roli_saxena49@yahoo.com
  • RITURAJ SINGH CHOUHAN 9826956494



I congratulate all the students of Drupad Dance Academy and School of Bharatnatyam for winning various competition and living upto the expectations!!!

The winners are:

Meenakshi S Nair
Akshara Likhar
Ishika Sharma
Tanishqa Saxena
Sudiksha neogi
Yogeshwari Mudaliar
Nitya Ratanpal

and for the performance @ school  celebrations

Akanksha Dwivedi
Greeshma Shroff
Soumya Mahaodaya
Akhila Nair
Phalguni Iyyer
&
Sonal.



February
noopurnadam - 20-2-2010

  •  Launch of "Drupad Promotions",
  •  Performance by students of Drupad,
  •  Release of Audio cd "Adavus",
  •  Exhibition of clay art. 

April
Essence dance Fest - 29-4-2010
                                International Dance day celebrations


May
                                Practical exams of Pryag sangeet samiti, Allahabad.

May
                               Global Cutural Diversity, pune

July
                               Nrityaarambh



The students of Drupad Dance Academy performed at Durga Puja celebrations organised by The bengali club and school,Indore. The performance of the Academy was louded and appreciated.



DRUPAD DANCE ACADEMY
INDORE

RESULTS OF BHARATNATYAM COURSE – 2008-09


NAME OF STUDENT MARKS OBTAINED MAX. MARKS DIV.

JUNIOR DIPLOMA (SECOND YEAR)
1. SOUMYA MAHODAYA - 80 150 II
2. KUKITA BISWAS - ABSENT F


FIRST YEAR

1. POOJA NAIR - 110 150 I
2. GREESHMA SHROFF - 108 I
3. RANI RAJGURU - ABSENT F
4. JOSELINE JOSEPH - 87 II
5. JOYCE JOSEPH - 90 I

PRAVESHIKA

1. AISHA SUNHARE - 65 100 I
2. APOORVASHREE DAS - 80 I
3. ISHIKA MUDLIAR - 75 I
4. ISHIKA SHARMA - 76 I
5. MERLIN JOSEPH - 76 I
6. SNEHA SARKAR - 70 I
7. BHAKTI H. SHAH - 71 I

RESULTS OF KATHAK DANCE COURSE – 2008-09

SENIOR DIPLOMA (IVth YEAR)

1. AKANKSHA DWIVEDI - 102 150 I

FIRST YEAR

1. MAHAK KHANDELWAL - 99 150 I
2. SOUMYA SHRIVASTAVA - 92 I
3. AKSHARA LIKHAR - 90 I


















The students of Drupad presented dance @ Lav Kush Malyalee Associa
tions onam program these are the news paper clipping of them.

Dear Friends and Well wishers,
After the grand success of
"Nrityaarambh-09"
Drupad Dance Academy
is going to present its work at
Iskon Temple,Nipaniya Road,Indore.
This is to be held on
14th August
which is bieng celebrated as Shri Krishna Janmashtami. We at Drupad are to present
Krishna Bhakti spirited songs in Bharathanatyam, Kathak & Mohiniattam styles.
The program is of one hour duration before the sandhya Aarti i.e. @
6:00p.m. to 7:00 p.m.
Hope you will grace the ocassion.
I would once again thank all for the unending cooperation and support, physically and mentally
given during the organization of "Nrityarambh".
Director
Aashish Pillai


It is said that,
"dance is a perpendicular expression of horizontal desire".
- George Bernard Shaw
The life is so transient but to unload all worries and to shuttle away from the moribund city life the today’s youth is getting all the way to traditional dancing. This international dance day its time to re evaluate the rise in number of guys and gals taking up the Indian style dancing. Although with the increasing popularity of dance reality shows like Jhalak Dikhla Ja, Dance India Dance and Dancing queen where Majority of the dances can be categorized as filmy and non Indian, still when a classical dance comes up once a while, it brings with itself fresh air to the viewers who are definitely happy to see something Indian. If we say that it’s only the western dances like Salsa, Hip-Hop, Tango etc which are sought after by the youth its definitely a great mistake for the youth is changing. It’s looking for some thing which could bring out the best in themselves and not only that the changing life style and the modern turn to our ancient culture have greatly transformed the outlook of the youth towards the Indian traditional dancing. As compared to the previous year there good rise in the number of students of traditional dancing across the dance institutes but it has also been seen that they also check out the non Indian styles. It’s not any thing like demeaning our culture but the purpose of dancing various with person to person. The college goers and students love moving to the music, they enjoy passionate and thrilling dance style. For many dance is something like as Lord Byron put it-
"On with dance! Let joy be unconfined; no sleep till morn, when youth and pleasure meet to chase the glowing hours with flying feet",
but for too many others it also the hidden language of soul. And it is what the Indian dance is where we search through our soul, the god who is within ourselves, in everything around us, whom we love and with we can share or sorrows and joy. they have started understanding the philosophy of Moksha/ Salvation, and the Indian dancing is the only dance where we lead up to god , for the basic theory of Indian dancing is nothing but "Devo Butva Devam Yajet" i.e. "to worship God, become God " it offers the followers a new outlook to the world full of misery and mirth. The enjoyment of the dances those are western is so very momentary but ecstasy of the Indian dances is long lasting satisfying and soulful. This is so because of its evolution from the text which delivers us Indians with food for thought.
“There’s nothing to hide from God and man,
God borne the nature and man the city life,
The dilemma is where I should go”The Indian dance looks for God as a lover yearns for the beloved, and thus the city life and its perils are eased in the love of god through dancing and this single thought is enough for the youth to understand the nature of these dance style. Various dance festivals are being organized across India to promote the Indian Dances and the ones who are working hard to bring it to the lives of common man and make it a part of each and every family’s tradition. The current generation youth has really transformed the Indian dances and made it a progressive creative way top reaches the ultimate goal of life rather craving for the momentary glares of life. There are no fewer takers for the classical Indian dances than western foot beats. Hope this increasing popularity of the Indian dance s keeps its show. And our traditions thrive at the behest of young and vibrant dancers who look these dances with respect.

DRUPAD DANCE ACADEMY
TO
CELEBRATE
INTERNATIONAL DANCE DAY

WORKSHOP ON THE KARNATIC THALAS, JATHISWARAM AND RARE PADAMS
BY KERALA KALATILAKAM AWARDEE
SMT. SHYAMALA GUPTA
ON
: 22, 23, 24 APRIL
BHARATNATYAM, KATHAK, MOHINIATTAM DANCE RECITALS
AT MT.CARMEL HIGHER SECONDARY SCHOOL,INDORE
ON
:25 APRIL
FELICITATING BEST STUDENT OF YEAR 2008-09
ON
:29 APRIL
FOR DETAILS:
CONTACT
ASHISH PILLAI
0731-6457767
0731-4032256
KHUSHBOO SOLANKI
0731-2556557



































1. Aishwarya Anil[as Parvati] And Kukita Biswas[as Ganesh] 2. Akanksha Dwivedi And Pratibha Anil
3. Aashish Pillai And Greeshma Shroff
right inset : Pooja Nair, Greeshma Shroff And Akanksha Dwivedi[in Kaaliya mardan]
left inset : Greeshma Shroff

4. Puja Nair [as Shiva] And Aishwarya Anil[as parvati] And Kukita Biswas[as Ganesha]

Director : Aashish Pillai aashishpillai@gmail.com

Secretary : Uma Dwivedi

Treasurer : Rupa Shrivastav

Public Relations :

  • Tanu Pawar
  • Philsity Alexander
  • Pratibha Shroff

Program Co-ordinator :

  • Lathika Nair
  • Shivani Khandelwal


The art in INDIA survived in and around temples. The dances coming out from the temples are known as the Classical Dance of India. These styles are commonly known as Shastriya Nritya i.e. Nritya(dance) in accordance with the shastras(the Scriptures). These are hence aptly called THE SCRIPTURAL DANCES. The Indian Dances coordinates body, mind and soul and the zero point of these coordinates is the ultimate perfection of human creation. Here the dancer unifies with his God. Indian Dances are classical not just because they are having their origin in the temples but as it involves the man’s spiritual identification. The Indian arts, not only dance but also music, painting, sculpturing, all seek the mans unity with the eternal artist God; the creator of Universe. This artist of infinite existence and his brain is far beyond the reach of human brain. But his craving to know more of him is the manifestation called ART. Its vastness makes him wonder at the God’s artistery7. Ha gave, rhythmicity to everything. The best example is the movement of the planets, galaxies and the time recurring. He gave nature the beauty, the moon the stars, the valleys and the seas. He perfected the music in nightingale’s voice, the chirping of the birds, the clouds thunderous roar and in each moment God danced. He does so in every single heartbeat of man, whom he sculptured out of the earth, he knew man would love Him and search his Art. God guides man in all his works. The ancient scriptures ‘the Upanishads’ say,”Devo bhutva Devam yajet “. Become God to worship God and dance was the best was to it. In an Indian classical dance the dancer is the devotee who is separated from God. The dancer yearns for God as a woman longs for her beloved.

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